Self-taught in photography, Danny Lyon studied history
at the University of Chicago, where he received a BA in 1963. That same year he
joined the Student Non-violent Coordinating Committee as a photographer
documenting the U.S. civil-rights movement.
Since that time, Lyons has gained recognition as a
photographer, filmmaker, and writer. His talents have been acknowledged by the
Guggenheim Foundation, which awarded him a fellowship in photography in 1969
and another, in film, a decade later; by one-person exhibitions at the Museum
of Modern Art, NY, the Art Institute of Chicago, and the Center for Creative
Photography at the University of Arizona; and by numerous publications and
awards.
The 123 works in the Bell Gallery collection are taken
from two of Lyon's best-known works: The Bikeriders . Working in the style
called "New Journalism" - that is, by immersing himself and becoming a
participant in a giving subject - Lyon photographed motorcyclist in the Midwest
from 1963 and 1967. He became a member of the Chicago Outlaw Motorcycle Club,
traveled with them, and shared their lifestyle. The series, described by Lyon
as "an attempt to record and glorify the life of the American bikerider," was
immensely popular and influential in the 1960s and 1970s.